
On this page
- The fourth photograph on an AGA page is not the fourth placed layout.
- A hobbyist body and a manufacturer, running the same idea two different ways.
- The Aquatic Garden sheet judges a picture. The biotope sheet judges a fact.
- Best of Show, 2000 to 2025.
- Every AGA placing this site holds.
- Free, three entries, and prizes paid by PayPal.
Read this first
Կարևոր ծուղակ
The fourth photograph on an AGA page is not the fourth placed layout.
Entries placed 4 to 10 in each category are shown together as a Top Ten group, and they are displayed in tank volume order, not in placing order3. The AGA says so plainly. Only the top three are in rank order3.
This trips up almost everyone who quotes AGA results, because the page looks like a ranked list and reads like one. It is not. Counting down the page and calling the fourth entry fourth place invents a fact.
The AGA explains why it works this way, and the explanation is honest. Its judges rarely rank far beyond their own top ten, so past that point, in the association's own words, the rankings are essentially meaningless3. It would rather publish nothing than publish a number it does not believe.
So on this site, 12 AGA records carry no rank at all. They are labelled with the award the contest actually gave, Top Ten or Honorable Mention or the Larry Lampert Most Innovative Award, and they are never printed as a placing. The rule is enforced in the code that builds these pages rather than left to whoever writes the copy.
One exception. In 2025 the AGA published a full numbered Aquatic Garden ranking6, so 2025 has a genuine fourth place and it is the only year that does.
What an AGA category page actually tells you3
- 1
- First place. A real placing.
- 2
- Second place. A real placing.
- 3
- Third place. A real placing.
- 4 to 10
- Top Ten. Sorted by tank volume. Placing not published, and not knowable from the page.
The comparison that matters
A hobbyist body and a manufacturer, running the same idea two different ways.
Scale first, so the comparison is fair. In 2025 the AGA received 426 entries from 365 people in 52 countries6. IAPLC in its record year received 2,617. The AGA is small. It is also the one that shows its working.
| IAPLC | AGA | |
|---|---|---|
| Categories | None. One global list. | Aquatic Garden split by tank volume, plus Classic, Biotope, Dutch, Paludarium, Wabi-Kusa and Riparium |
| Entries per person | 1 | 3 |
| Small tanks | Compete against 500 litre tanks | Have their own volume bands |
| Judge feedback | A short note on the Best Aquarium picks only | Written comments published on many entries, signed by the judge |
| Scoring published | No | The criteria and their point values are published in full |
| Full ranking | Yes. Every entry gets a world rank | No. Only the top three per category are ranked |
| Anonymous judging | Not stated | Yes, stated. Judges see a number, not a name |
| Judge independence | Not stated | Yes, stated. Judges do not confer while scoring |
| Prize | Cash up to JPY 1,000,000 | A small cash prize and a certificate |
Aquatic Garden is scored out of 200: overall impression 70, composition and balance and use of space and colour 60, selection and use of materials 40, viability of the aquascape 302. Dutch, Biotope, Paludarium, Wabi-Kusa and Riparium each have their own sheet2.
Every entry is identified by a number only. Entrants may not show photographs to judges or ask the board for advice. Doing it twice can lead to disqualification2.
The rules say judges do not communicate with each other while scoring. They confer only for the Best of Show and Most Innovative votes at the end2.
Anyone can read what a judge thought and disagree with it1. IAPLC publishes nothing comparable for the bulk of its field.
The point that cuts the other way
The AGA combines its judges' scores using a harmonic average of each judge's ranking rather than the raw scores, and then publishes only the top three3. So it is more transparent about method and much less transparent about result. Both things are true at once and this site says both.
Two sheets, two theories
The Aquatic Garden sheet judges a picture. The biotope sheet judges a fact.
Put the two AGA sheets side by side and the split running through this whole subject becomes visible in the arithmetic. One asks how the layout feels. The other asks whether the named place really looks like that, and whether those species really live there.
Aquatic Garden, out of 2002
- 70
- Overall impression
- 60
- Composition, balance, use of space and colour
- 40
- Selection and use of materials
- 30
- Viability of the aquascape
Biotope, out of 2002
- 70
- General impression and faithful reproduction of the biotope
- 60
- Accuracy of the plants and animals for that biotope
- 40
- Accuracy of the hardscape
- 30
- Condition of the aquarium
IAPLC secondary screening, out of 100
- 50
- Recreation of a natural habitat for fish
- 50
- Everything else, in five equal parts of ten
Do not misattribute this sheet
The biotope sheet above is the AGA's own2. It is the best documented biotope sheet anywhere, which is why it appears here, but it is not the Biotope Aquarium Design Contest's sheet. That contest's own criteria are not published anywhere we could reach.

The record
Ցուցահանդեսի լավագույնը
Best of Show, 2000 to 2025.
Look at 2005, 2006 and 2012. Best of Show went to a 32 litre tank twice and a 54 litre tank once1. That cannot happen at IAPLC, where a single uncategorised list lets large tanks dominate the top ranks. It is the clearest single argument for the AGA's volume bands, and it is the reason you might choose this contest if you have a small tank and a modest budget.
| Year | Aquascaper, as recorded | Country, as recorded | Title | Volume |
|---|---|---|---|---|
| 20256 | Muhammad Yusuf | Indonesia | Veins Of Nature 2 | 300 L |
| 20249 | Luis Carlos Galarraga | Brazil | Great Wave | 324 L |
| 20231 | Juan Puchades | Spain | Radiance | 536 L |
| 20221 | Matthew Israel O Manes | Philippines | ASCEND | 242.9 L |
| 20211 | Matthew Israel O Manes | Philippines | SYNERGY | 242.9 L |
| 20201 | Luis Carlos Galarraga | Brazil | Whispering Shadows | 323 L |
| 20191 | Guan Fuhong (观富宏) | China | 夏至 | 300 L |
| 20181 | Luis Carlos Galarraga | Brazil | Soul | 324 L |
| 20171 | Roger Goh Yu Quan | Singapore | Breath Of The Wild | 495 L |
| 20161 | Wang Chao (王超) | China | Dream (梦境) | 370 L |
| 20151 | Paulo Vitor Pacheco | Brazil | Deep Nature | 219 L |
| 20141 | Gregoire Wolinski | France | not recorded | 310 L |
| 20131 | Marcelo Tonon Chiovatto | Brazil | Sunrise in the valley | 116 L |
| 20121 | Leandro Artioli | Brazil | Unknown way | 54 L |
| 20111 | Hui Kam Man | Hong Kong | Alongside | 270 L |
| 20101 | Siak Wee Yeo | Malaysia | Beyond Horizon | 182 L |
| 20091 | Michael G.W. Wong | China | Beauty From Above | 240 L |
| 20081 | Chow Wai Sun | China | Flies the dragon | 432 L |
| 20071 | Chow Wai Sun | China | Ashy Range | 324 L |
| 20061 | Law Kai Chun | Hong Kong | Summer Dance | 32 L |
| 20061 | Filipe Alves Oliveira | Portugal | Across the River | 240 L |
| 20051 | Justin Law | Hong Kong | Secret Garden | 32 L |
| 20041 | Oliver Knott | Germany | Resting Place | 560 L |
| 20031 | James Hoftiezer | United States | Sleepy Hollow | 378 L |
| 20021 | Luis Navarro | United States | La Ropa beach | 208 L |
| 20011 | Detlef Hupfeld | Germany | not recorded | 80 L |
| 20001 | Frode Roe | Norway | not recorded | 530 L |
Not verified
2006 carries two Best of Show entries in the AGA archive, Law Kai Chun and Filipe Alves Oliveira1. Either the award was genuinely shared that year or the archive has an error. We print both rows and we do not choose between them until the AGA answers.
The dataset
Every AGA placing this site holds.
Fourteen years captured in detail: 2000, 2001, 2005, 2010, 2013, 2015, 2017, 2019, 2020, 2021, 2022, 2023, 2024 and 2025. Names, countries and titles are exactly as the AGA recorded them, including the character sets4. Where a name is a link, the official record carries enough detail for a page of its own.
An italic entry with no number is a Top Ten or special award record. It finished somewhere between fourth and tenth and the AGA does not say where3, so neither do we.
| Year | Placing | Aquascaper | Country | Title | Tank | Volume | Record |
|---|---|---|---|---|---|---|---|
| 20256 | 1st | Muhammad Yusuf | Indonesia | Veins Of Nature 2 | 120 x 50 x 50 cm | 300 L | AGA page |
| 20256 | 2nd | Darushmarchiano | Indonesia | Borneo | 120 x 45 x 45 cm | 243 L | AGA page |
| 20256 | 3rd | Luis Carlos Ardid Galarraga | Brazil | Galaxy | 120 x 60 x 50 cm | 360 L | AGA page |
| 20256 | 4th | Mawan Huda | Indonesia | Spring | 120 x 50 x 50 cm | 300 L | AGA page |
| 20249 | 1st | Luis Carlos Galarraga | Brazil | Great Wave | 120 x 60 x 45 cm | 324 L | AGA page |
| 20249 | 2nd | Ismael Aguilar Soria | Spain | Rolling River | 120 x 60 x 55 cm | 396 L | AGA page |
| 20249 | 3rd | Dong Jin Shin | South Korea | Meteor | 150 x 60 x 60 cm | 540 L | AGA page |
| 20231 | 1st | Juan Puchades | Spain | Radiance | 150 × 65 × 55 cm | 536L | AGA page |
| 20231 | 2nd | liang jin | China | zenith | 120 × 60 × 50 cm | 359L | AGA page |
| 20231 | 3rd | 赵刚 | China | 向往 | 120 × 60 × 45 cm | 323.9L | AGA page |
| 20231 | Top Ten | Luis Cardoso | Portugal | Flow of Nature | 120 × 60 × 45 cm | 323L | AGA page |
| 20221 | 1st | 赵刚 | China | 未知的家园 (The Unknown Home) | 120 × 60 × 45 cm | 323.9L | AGA page |
| 20221 | 2nd | Ivan Tancler | Brazil | Wave | 155 × 55 × 45 cm | 383.6L | AGA page |
| 20221 | 3rd | Luis Carlos Galarraga | Brazil | Samurai | 120 × 60 × 45 cm | 324L | AGA page |
| 20221 | Top Ten | Luis Cardoso | Portugal | Cradle of Nature | 120 × 60 × 45 cm | 323L | AGA page |
| 20211 | 1st | Pavol Kulanda | United Kingdom | Forest in the wind | 120 × 60 × 45 cm | 324L | AGA page |
| 20211 | 2nd | liang jin | China | Invite the moon | 120 × 60 × 50 cm | 360L | AGA page |
| 20211 | 3rd | Eakthanat Isarathikul | Thailand | Revolve pluse | 120 × 60 × 50 cm | 360L | AGA page |
| 20211 | Top Ten | Zhao gang | China | 听瀑 | 120 × 60 × 50 cm | 359.9L | AGA page |
| 20201 | 1st | Luis Carlos Galarraga | Brazil | Whispering Shadows | 120 × 60 × 45 cm | 323L | AGA page |
| 20201 | 2nd | LU CHENG YU | Taiwan | Traverse | 120 × 60 × 50 cm | 359L | AGA page |
| 20201 | 3rd | DouMing Adrian Mok | Canada | Scalare Summit | 150 × 60 × 60 cm | 540L | AGA page |
| 20201 | Top Ten | Jae-Sun Cho | South Korea | Positive nihilism | 120 × 60 × 45 cm | 320L | AGA page |
| 20191 | 1st | GUAN LIWEI | China | 漫林碧透 | 120 × 60 × 45 cm | 324L | AGA page |
| 20191 | 2nd | Miguel Ángel García | Spain | Live on Fallen Tree | 130 × 55 × 65 cm | 460L | AGA page |
| 20191 | 3rd | fernando boturao francischelli | Brazil | Nintai | 120 × 60 × 45 cm | 324L | AGA page |
| 20191 | Top Ten | Fabricio Rufino de Souza | Brazil | Cores no Horizonte | 120 × 60 × 45 cm | 324L | AGA page |
| 20171 | 1st | Roger Goh Yu Quan | Singapore | Breath Of The Wild | 150 × 60 × 55 cm | 495L | AGA page |
| 20171 | 2nd | Luis Carlos Galarraga | Brazil | Summertime | 120 × 60 × 45 cm | 324L | AGA page |
| 20171 | 3rd | LIN, TING-CHUAN | Taiwan | Uncharted | 127 × 60 × 50 cm | 381L | AGA page |
| 20171 | Larry Lampert Most Innovative Award | 刘勇 | China | Not recorded | 120 × 60 × 50 cm | 360L | AGA page |
| 20151 | 1st | Fernando Boturao Francischelli | Brazil | Silent Awakening | 120 × 60 × 45 cm | 324L | AGA page |
| 20151 | 2nd | Andre Luiz Longarco | Brazil | Faith | 120 × 60 × 45 cm | 324L | AGA page |
| 20151 | 3rd | 刘勇 | China | 神奇的世界 | 180 × 60 × 60 cm | 648L | AGA page |
| 20151 | Top Ten | Narto | Indonesia | The Fallen Tree | 120 × 60 × 45 cm | 324L | AGA page |
| 20131 | 1st | Sim Kian Hong | Malaysia | Destiny | 150 × 60 × 60 cm | 540L | AGA page |
| 20131 | 2nd | lao chan fei | Macau | 秋意 | 110 × 55 × 55 cm | 332L | AGA page |
| 20131 | 3rd | Michael G.W. Wong | China | Eruption | 120 × 50 × 60 cm | 360L | AGA page |
| 20131 | Larry Lampert Most Innovative Award | Wang Chao | China | 天空 | 120 × 60 × 50 cm | 360L | AGA page |
| 20101 | 1st | Michael G.W. Wong | Hong Kong | Enchanted Forest | 120 × 60 × 60 cm | 432L | AGA page |
| 20101 | 2nd | Pasquale Buonpane | Italy | The world before Columbus | 160 × 52 × 60 cm | 400L | AGA page |
| 20101 | 3rd | Kam Wong | Hong Kong | Simba's Peak | 150 × 50 × 55 cm | 412L | AGA page |
| 20101 | Unranked | Konrad Szumilas | Poland | Helm's Deep | 115 × 60 × 60 cm | 414L | AGA page |
| 20051 | 1st | Oliver Knott | Germany | In the shadow of the trees | 450 × 120 × 100 cm | 5400L | AGA page |
| 20051 | 2nd | Eric Cheng | China | Chill Out Island | 150 × 50 × 57 cm | 428L | AGA page |
| 20051 | 3rd | Dave Chow | China | Nature, Endure forever... | 165 × 60 × 65 cm | 640L | AGA page |
| 20051 | Honorable Mention | Aviel Livay | Israel | The promised Land | 250 × 50 × 60 cm | 750L | AGA page |
| 20011 | 1st | Jacian Ho | Singapore | Not recorded | 120 × 60 × 60 cm | 432L | AGA page |
| 20011 | 2nd | Steven T. Dixon | United States | Not recorded | 183 × 61 × 74 cm | 662L | AGA page |
| 20011 | 3rd | Jeffery Senske | United States | Not recorded | 183 × 76 × 76 cm | 983L | AGA page |
| 20011 | Honorable Mention | Ilkka Kallio | United States | Not recorded | 122 × 61 × 61 cm | 450L | AGA page |
| 20001 | 1st | Frode Roe | Norway | Not recorded | 160 × 55 × 60 cm | 530L | AGA page |
| 20001 | 2nd | Frode Roe | Norway | Not recorded | 160 × 55 × 60 cm | 530L | AGA page |
| 20001 | 3rd | Tolis Ketselidis | Greece | Not recorded | 140 × 40 × 60 cm | 336L | AGA page |
| 20001 | Honorable Mention | Ron Barter | Canada | Not recorded | 152 × 46 × 61 cm | 378L | AGA page |
Practical
Ինչպես մասնակցել
Free, three entries, and prizes paid by PayPal.
If you’re entering from Yerevan, check how you can receive a prize before submitting. Registration is online. Prizes are paid by PayPal to the registered email address2, which removes the postal problem that affects an IAPLC prize. PayPal availability in Armenia is the only real barrier and should be checked first.
Free to enter, with donations requested to pay for prizes. Maximum three aquascapes per person per year across all categories, and since 2023 only one aquascape per physical tank per year2.
Dimensions are reported from the tank floor up to the water line, not to the top of the glass2. That is why AGA volumes are lower than the number on the box.
One to five photographs per aquascape, and the camera original of the main photograph must be uploaded. Judges never see it2. It exists so the organisers can check the final image was not manipulated.
Colour correction, lens and distortion correction, rotation, brightness, shadow and highlight, contrast, sharpness and HDR. No borders, no watermarks, no collages, no people in the photograph2.
Cloning out flaws, compositing a better fish school from several frames, painting colour onto plants, blacking out the background to hide equipment2.
The second half of the year. For 2026 it ran from 1 August to 4 October5.
The 2020 disqualification sweep
In 2020 the AGA disqualified a group of entries for photo manipulation and named the techniques it had found: compositing several images to build a bigger or better looking school of fish, cloning background elements to hide flaws in the layout, and adding elements from a completely different photograph3. Disqualified entries are still displayed on the site, at the end of each category, rather than deleted1.
That last decision is the interesting one. Keeping the disqualified work visible is the clearest public statement anywhere about what counts as cheating in aquascaping photography, and it is far more useful to a beginner than a rule written in the abstract. We did not read the organising committee's letter itself, only the FAQ that links to it3.
Image rights, AGA
This is the only contest where one party can say yes.
The AGA photo release is published in full and is unusually clear. Copyright stays with the aquascaper. The AGA receives an irrevocable, perpetual, non-exclusive and royalty free licence to publish, reproduce, edit, crop and, crucially, sub-license the images8.
That sub-licence right is what makes the AGA different. At IAPLC the aquascaper and ADA both hold something, so two parties must agree. CIPS claims the copyright of its top hundred outright, so the aquascaper cannot grant it at all. The AGA can grant permission on its own authority, without chasing individual entrants8. It is a real route and it costs one email.
Until that email is answered we publish nothing. No image file has been copied or downloaded. Every picture-shaped box on this page is a CSS gradient with a declared aspect ratio, and every link to a layout goes to the AGA's own page.
Continue
Elsewhere in this section
- AGA Aquascaping Contest showcase archive, 2000 to 2023. Aquatic Gardeners Association. https://showcase.aquatic-gardeners.org/. Accessed 8 September 2026. Individual year and entry pages are linked from every row above.
- Rules and guidelines. AGA Aquascaping Contest, no date. https://showcase.aquatic-gardeners.org/guidelines.html. Accessed 8 September 2026.
- Frequently asked questions. AGA Aquascaping Contest, no date. https://showcase.aquatic-gardeners.org/faq.html. Accessed 8 September 2026.
- AGA showcase search index, aquascapes.json. Aquatic Gardeners Association. https://showcase.aquatic-gardeners.org/aquascapes.json. Accessed 8 September 2026. The machine readable index behind the showcase search page, covering every entry from 2000 to 2023.
- AGA International Aquascaping Contest. 2026 contest site. https://agaiac.org/. Accessed 8 September 2026.
- 2025 results. AGA International Aquascaping Contest, 2025. https://agaiac.org/2025/results. Accessed 8 September 2026.
- Past contests. AGA International Aquascaping Contest, no date. https://agaiac.org/past-contests. Accessed 8 September 2026.
- Photo release agreement. AGAIAC, Inc., no date. https://agaiac.org/photo-release-agreement. Accessed 8 September 2026.
- AGA International Aquascaping Contest 2024 results. AGAIAC, 2024. https://2024.agaiac.org/results/. Accessed 8 September 2026.
- Aquatic Gardeners Association. Association home page, no date. https://www.aquatic-gardeners.org/. Accessed 8 September 2026.
Continue
Where to go next.
IAPLC
The other model. One list, no categories, and half the points on habitat plausibility.
The winners
The people behind the placings, described only from the official record.
Styles and history
Nature and Dutch, the two schools the scoring categories assume, with their founders and dates.
Designing the contest
How these scoring categories translate to a first Armenian round, and which of them cannot.